Karen Jiang 

Here, a stone is both forming and formless. This dichotomy is mirrored in the contrast between linear and curved lines—in linear lines, movement is comprehended through culmination, and in curved lines, movement is comprehended through suggestion. The positioning of each of these elements in a sequential line alludes to the circumstances of time—a steady, continuous state of being that is also both forming and formless in composition—one is simultaneously divided and compressed within the same space.